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Disclaimer: This dress was provided free of charge by The Apricot Rose. All opinions are my own, and you can find my full disclosure policy here. 



Apricot Rose

Today I'd like to introduce you to a brand called The Apricot Rose, which is run by Italian designer Manuela Grenata. Manuela trained as a fashion designer, pattern maker and seamstress at the Instituto di Moda Burgo in Milan and specialised in the design and production of wedding dresses. The Apricot Rose supplies made to measure and ready-made day dresses, occasion dresses, and wedding dresses.

All the clothing for The Apricot Rose is designed and created start to finish by Manuela in her studio in Alessandria. The styles are romantic and retro, inspired by vintage, rococo and classical ballet. In particular, Manuela draws inspiration from the clothing of the 1950s and is inspired by stars such as Audrey Hepburn, Grace Kelly, Sophia Loren and Jackie Kennedy, and designers such as Dior, Givenchy, and Sorelle Fontana. She also finds inspiration in the history of art and costume, as well as contemporary and street fashion.

Apricot Rose

Apricot Rose

To design clothing for The Apricot Rose, Manuela begins with a picture, idea, or figure, then makes the pattern for the item. Next, she cuts the fabric and sews the clothes before adding decoration which is all hand finished and can be customised according to your preferences. You can also contact her to have designs made up in a specific colour or fabric of your choice.

I'm wearing this beautiful floral-pattern 1950s style dress which Manuela has custom made to my measurements. It's fully lined in a beautiful pink satin and features a beaded appliqué at the neck and a lace trim around the bottom of the skirt. The skirt itself is a full circle so there's plenty of material for twirling. I've chosen to go without a petticoat for these photos because the skirt hangs very nicely without, but it would easily take a petticoat or two underneath if you wanted the extra volume.  

The details in this dress really help to set it apart from the kind of offerings on the market from a lot of repro companies, not to mention the quality. With it being made to measure it of course fits perfectly, which is something you don't often find with off-the-peg items. This particular style is somewhere in between formal and casual: I went for a smartish look for an afternoon out but I could easily dress this up even more for a wedding, for example, or pair it with a more casual pair of flats and a comfy cardigan for something a bit more casual.

Apricot Rose

Applique

Apricot Rose

Don't forget to check out The Apricot Rose's website for the other styles available!

Dress - c/o The Apricot Rose | Shoes - Dorothy Perkins | Pearl bracelet - Warren James
Earrings - ? | Handbag - vintage


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DIY makeup brush roll via lovebirds vintage  
One of the things I've been doing in preparation for my move is a lot of sewing, both mending items and making new things. I have upcycled a few of my brother's old shirts into blouses for myself (I hope to have some pictures soon) and I also made myself a makeup brush roll out of the offcuts from one of the shirts. I was able to use up almost every scrap of the material.
DIY makeup brush roll via lovebirds vintage

I didn't take pictures while I was making the brush roll but the construction is very simple (I hope my explanation is not garbled!): I used a double thickness of material for the back of the roll and stitched the ribbon across the middle for the closure. For the front part which forms the pouches for the brushes, I used a single thickness of material (I could have doubled it again, but didn't have enough material left over), which I hemmed at the top and zig-zagged at the three other sides to prevent fraying, then attached using blind stitch. Lastly I stitched the pouches for the brushes (measured by placing the brushes inside the roll).

DIY makeup brush roll via lovebirds vintage

I'm hoping that this will save space compared to how I was storing my makeup brushes previously (which was upright in utensil jars) as it also packs flat. It's a great way of using up offcuts of material to make something for virtually nothing.


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moving

Hi everyone,

Just a very quick note to give you an update on something very big that's happening in my life right now: in September I will be moving to the South of England to start a PhD course. I have started to get some blog posts scheduled up for the coming weeks, but of course with such a big move (around 4 hours away from where I live currently), I can't promise that I will be updating regularly.

I addition, I of course can't promise that I will be in a position to keep running Lovebirds Vintage while I'm studying, as a PhD is a huge undertaking - although I will do my best!

I'll try to maintain a reasonable social media presence over the next few weeks as well, so I hope I will see you there. You can mostly find me on Facebook, Twitter and Instagram.


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This is an article I wrote some while ago to help promote an event in the area, but which in the end was never used. Although I suspect a significant portion of my readers are already knowledgeable about how to dress in a 1950s style, I hope it might be useful to anyone who is new to vintage dressing or who may wish to put together a fancy dress costume, for example. If you have any questions, comments, corrections or suggestions then feel free to leave a comment!

_____________

The 1950s was a time of great change in Britain. Following the end of the Second World War, people were keen to move away from the austerity of rationing, including the rationing of clothing which ended in 1949. In February 1947, Christian Dior launched a new clothing collection which introduced the “New Look” to post-war Britain. The New Look consisted of frivolous full skirts and tiny waists which we have come to associate with a classic 1950s look. Although there was some opposition to the style by some women who believed the New Look was impractical and was only within the means of the very richest of Parisian society, the look still became one of the most iconic fashion styles of all time, proving that French designs are never out of fashion.
Of course the full calf-length skirts of the New Look were not the only option available to women at the time. Here are some top tips for creating your very own perfect 1950s look.


Storefront at Norrmalmstorg in Stockholm 1957

(Image: Storefront at Norrmalmstorg in Stockholm, 1957. Via Stockholm Transport Museum on Flikr)

Dresses

Dresses of the 1950s commonly appear in a full-skirted silhouette, or with a slim pencil skirt. For the most authentic look, choose dresses with hemlines which fall just below the knee or lower. Square or sweetheart necklines were popular, as were halter necks.
If you choose a dress with a full skirt, you may wish to enhance the look by adding a petticoat. Make sure the petticoat you choose is not too full for the skirt. The skirt should drape nicely over the top of the petticoat with no distortion of the shape. Opt for a petticoat which is approximately one to two inches shorter than your skirt so that it is not visible, as petticoats in the 1950s were still considered underwear. Your petticoat should also not be too short, as this will cause the bottom of your skirt to flop instead of retaining the desired flounce.

1957 enge schwarze Röcke

(Image: This advertfrom 1957 shows a fitted pencil skirt. Via diepuppenstubensammlerin on Flikr)

Skirts and Trousers

Like dresses, skirts were full and flirty or fitted to create a Marilyn-esque wiggle. Both styles are flattering on all kinds of figures, enhancing your curves if you have any or helping to create them if you don’t. Choose a high-waisted style and tuck your blouse neatly in to the waist. Finish the look with a pretty belt to keep your waist looking stylishly tiny. 


Fenwick's window display, Newcastle 1958

(Image: Fenwickswindow display, Newcastle, 1958. Via Tyne and Wear Archives and Museums on Flikr)

Popular styles of trousers include capris which were cropped at mid-calf length, or cigarette trousers which sit at ankle-length. For the first time in history, jeans were worn as a fashion item instead of being reserved as a tough workwear item. Again, for the most authentic look, steer away from styles that sit at the hip as this creates a very modern look. Instead, opt for a style which sits at the natural waist. 

Tops and Blouses

If you decide on wearing a skirt or trousers, you will of course need a top or blouse to wear as well. Short sleeved blouses were popular, and featured a variety of different collar styles including peter pan collars, notched collars and shawl collars. Raglan and dolman sleeves were fashionable. Details such as ruffles, delicate beading or buttons up the back of the blouse may be present. Sheer blouses look very feminine and stylish but plain white shirts also became popular in the 1950s, a look seen on Audrey Hepburn in Roman
Holiday. 


Audrey Hepburn screentest in Roman Holiday trailer 2.jpg

(Image: "Audrey Hepburn screentest in Roman Holiday trailer 2" by Trailer screenshot - Roman Holiday trailer. Licensed under Public Domain via Wikimedia Commons.)


Pair a pencil skirt or capris/cigarette trousers with a fitted sweater for the iconic “sweater girl” look or for full skirts and dresses choose a sweet cardigan which ends at the waist. For some extra sparkle, choose a beaded cardigan in a fine knit.


1950 Fashion Ad, Kedettes Casual Shoes, "The Washable Casuals"

(Image: 1950s magazine advertisement for “U.S. KedettesCasual Shoes for play, beach, or pool”. Despite the advert being for an American brand, it nonetheless shows styles which were also popular in the UK. Via Classic Film on Flikr) 

Stilettos were very popular during the 1950s when heels became slimmer and higher than ever before – however shoes with a thicker heel were often favoured for day-wear. Wedges, slip-on mules and ballet pumps were also in style. Saddle shoes and loafers were worn with casual outfits or sportswear, and were commonly worn with bare feet (no stockings needed for this laid-back style) or with white bobby socks.

Accessories

Plastic novelty jewellery was popular in the 1950s but diamanté pieces, bamboo and pearls were also in style. Cat-eye sunglasses were also available in many colours to be matched to any outfit.
For handbags, bucket-shaped or basket bags were common, and the “Kelly” bag (a larger, flat bag often found in leather or reptile skin) found popularity in 1956 when Grace Kelly was seen using one. 


Fashion photograph by Erwin Blumenfeld for "Vogue" - March, 1950


(Image: A model wearspearl jewellery, a veiled hat and gloves, 1950. Via The Coincidental Dandy [© The Estate of Erwin Blumenfeld, collection Henry et Yorick Blumenfeld], public domain on Flikr]

Decorative gloves and hats were still seen, especially for dressier and less casual looks. These accessories were favourites of Queen Elizabeth II, whose look was much copied by women at the time. A beautiful silk or nylon scarf can be worn tied around the neck or head to add the perfect finishing touch to your outfit.
Finally, if you want to go for a totally authentic look, choosing 1950s-style underwear can really help. Girdles and corsets were still worn by women during the 1950s and these are especially helpful in creating the very small waists which were in fashion at the time. Pointed bullet bras help to lift and define the bust in a different way to modern bras, which helps to further enhance the look of a small waist. Seamed stockings (and of course a suspender belt or other piece of lingerie with suspenders to hold them up) will take your look from retro to truly 1950s.

Toni Trio Home Permanent Wave, October 1952

(Image: Toni TrioHome Permanent Wave advert from 1952. Via The Bees Knees Daily on Flikr)

Hair and Makeup

Women’s hair in the 1950s was commonly softly curled or waved using rollers or pin curls. Perms were used to help women with straight hair achieve these styles.  There are many guides and tutorials available on the internet for learning how to create 1950s hairstyles, however vintage hairstyling techniques can be difficult if you’ve never tried before. For the best results, I’d recommend having a practice before going to an event. 


Cashmere Bouquet Lipstick 1950

(Image: Advert from1950 Cashmere Bouquet Lipstick. Via Jussi on Flikr)

For makeup, start with a natural-looking foundation. Tans were in fashion but the heavy contouring and highlighting which is common in modern makeup will not help you to create a 1950s look. Eyeshadows were available in both neutral shades and in colours so you can match your makeup to your outfit. Applying your eyeshadow with a light hand will help keep it from looking too modern. You could also choose to line your eyes with a black eyeliner, or a softer brown shade which was favoured by Marilyn Monroe. Eyebrows were carefully defined and appeared in more angular shapes than in previous decades. For lipstick, shades of red and coral were popular. Like with hairstyling, it’s possible to find lots of useful information on the internet. Look for makeup advertisements from the 1950s (which can be found in colour) to see the most authentic styles and colours.

Where to buy

If you shop carefully, 1950s styles can easily be found on the high street. Take care to avoid hemlines that fall above the knee, as well as obviously modern details such as studs and large mesh panels. Other features to look out for include natural fabrics such as cotton or wool, high waists, dresses with button-up fronts (“shirtwaists”), and classic patterns such as florals, stripes or small polka dots.
If you don’t feel like braving the high street in search of appropriate items, you can turn instead to companies which sell reproduction vintage items – that is to say, modern clothing which has been designed to look like original clothing from decades gone by. Sometimes these items are even produced from original patterns and may also use original fabric or notions such as buttons.
Here are some options for souring 1950s-style clothing:

Collectif
Lady V London 
Vivien of Holloway 
House of Foxy 
Lindy Bop
Heyday

Alternatively, you can seek out original 1950s clothing and create a completely authentic look. You can find original vintage clothing in vintage shops, at vintage fairs, or online. Here are some options for shopping for original 1950s clothing online:

Etsy 
Asos Marketplace 
Beyond Retro 
Rockit Vintage 
Love Miss Daisy


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Disclaimer: These products were provided free of charge by Tip Top Hair Design for review purposes. All opinions are my own and you can find my full disclosure policy here. 

Besame Cosmetics via lovebirds vintage
A few weeks ago, Jac from Tip Top Hair Design approached me about reviewing a few of the Bésame products that she's now offering for sale in the salon and on her website. You might recognise Jac's name as I work with her on a regular basis as a model either for the salon or for other companies who have hired Jac to do my hair for shoots. Since I already get on so well with Jac and I know I love the other Bésame products I'm lucky enough to own or have tried out for shoots, I was more than happy to accept.

Jac now has some of the newer offerings from Bésame available to purchase, so today I'll be reviewing the Apricot Rouge (1938), Sweetheart Glaze in Cherry, and the new Masterliner lip pencil.

The first thing I will say about all of the products is that, as is always the case with Bésame items, the packaging is absolutely gorgeous. I love the vintage look of the products and they look really fantastic if you're like me and keep a lot of your makeup on display. The containers for all the products have a very high quality look and feel - the rouge is a good example because it's in a proper tin rather than a plastic container. 

besame cosmetics apricot rouge via lovebirds vintage
The Apricot Rouge is really pretty and a little bit goes a really, really long way. To apply it, I just tap my finger on the surface of the product and blend it carefully onto my cheeks. A small amount gives a dewy flush to the skin which reminds me of Snow White. The product is easily buildable if you require more colour, but it can easily get out of control if you apply too much. Generally I prefer a very light application to give my skin a pretty "lit from within" glow. I really like how the peachy tones look on my pale skin, and I can see this colour being really flattering on much darker skin tones as well. The only downside for me is that the lid is really difficult to get on and off. I had my brother test this for me as well, to make sure that the difficulty wasn't down to my cubital tunnel syndrome, and he confirms that it is indeed tricky as the lid often seems to get stuck halfway. I am wondering if it will loosen up a bit once I have used the product a bit more. Bésame's rouges retail at £20.

besame cosmetics cherry glaze via lovebirds vintage

The new lip glazes from Bésame are a different offering to the type of thing we've seen so far from this company. If you're a die-hard vintage girl who won't use lip gloss then this product may won't be for you, although I suggest that you read the rest of my review of it before making up your mind. Given the growing popularity of Bésame amongst mainstream consumers, I imagine the lip glazes are intended more to appeal to the non-vintage market. Personally I prefer to wear lipstick rather than lip gloss, but I do wear lip gloss on days when I'm feeling a bit more casual and low maintenance. The cherry lip glaze comes with a doe-foot applicator and has a reasonable colour pay off for something that I'd definitely class as being a lip gloss. It's also supposed to be very moisturising for your lips which is a nice extra touch if you're someone who wears a lot of lip products. It feels every so slightly sticky when you apply it, but overall I'd say it's much less sticky than most lip gloss-type products. The glazes are each scented to match their name so the cherry one is cherry scented. It's quite a strong scent so possibly something to avoid if you dislike scented lip products, but I can't detect any kind of cherry flavour. I'd say it's quite an artificial scent which reminds me of some scented My Little Pony dolls I had back in the day. I do like the scent, but to me it doesn't smell like real cherries. I really like the texture and look of the cherry glaze, and I do think it has the potential to appeal even to those of you who might not normally bother with lip gloss. This also retails at £20.

Besame Masterliner via lovebirds vintage

Finally, the Masterliner lip pencil is a great addition to Bésame's line. The liner is a double-ended twist-up pencil, which is always great for getting a really neat precise line, and for not losing any of the product through sharpening as with traditional pencils. I found the consistency of the pencil to be very smooth and creamy, so it feels really nice to apply and isn't at all drying unlike some other lip pencils that I own. The two ends of the pencil are in slightly different shades of red, which are supposed to be 'cerise' and 'red' according to Tip Top's website. There are no colour names on the pencil itself though, and it's not completely clear which end is which. I suspect that the darker colour might be considered 'cerise' and the lighter colour is 'red'. It's also not too easy to tell the difference between the two colours of liner just by looking, so I usually make a small mark on my hand with each end to make sure I'm selecting the one that I want. The Masterliner retails at £20.

Besame cosmetics masterliner via lovebirds vintage

Thanks again to Jac for the lovely things!


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Helen Mae Green for English Country Vintage, Tip Top Hair Design and Steve Bond Images

Helen Mae Green for English Country Vintage, Tip Top Hair Design and Steve Bond Images

Helen Mae Green for English Country Vintage, Tip Top Hair Design and Steve Bond Images

Helen Mae Green for English Country Vintage, Tip Top Hair Design and Steve Bond Images

Helen Mae Green for English Country Vintage, Tip Top Hair Design and Steve Bond Images

Helen Mae Green for English Country Vintage, Tip Top Hair Design and Steve Bond Images

Helen Mae Green for English Country Vintage, Tip Top Hair Design and Steve Bond Images

Helen Mae Green for English Country Vintage, Tip Top Hair Design and Steve Bond Images

Hi everyone! Here is the second of the dresses I modelled for Cherilyn at English Country Vintage (you can see the first one here). We went for an early 60s look with this dress - I really love the pastel floral print and I couldn't stop twirling in this one!

For these photos I'm wearing Bésame Cosmetics Carmine lipstick with the new Rose sweetheart glaze, and the Apricot rouge. My hair is by Jac at Tip Top Hair Design and pictures are by Steve Bond.

  

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Disclaimer: This dress was provided free of charge by Lindy Bop. All opinions are my own, and you can read my full disclosure policy here. 

lindy bop ruth dress via lovebirds vintage

lindy bop ruth dress via lovebirds vintage

lindy bop ruth dress via lovebirds vintage

lindy bop ruth dress via lovebirds vintage

Last week I was away, staying with my boyfriend at his parents' house for his birthday. I've been so busy lately that I still feel like I'm slightly playing catch-up from the last time I went away, but I couldn't wait to photograph this beautiful dress from Lindy Bop.

I'm actually hoping that this week will be the last bit of travelling and stress that I'll have to endure for a while. I've had to do a lot of things in the last few months that put me very much out of my comfort zone and in fact when you read this, I will be on my way to a very important interview in a city some four hours away from where I live. If I get the position it will mean some very big changes for me but I'm grateful that I have a good support network in place to help me through.

I got caught in a really heavy rain shower trying to take these photos, I'm not sure if you can tell! It made for an interesting experience, especially after my hat started to wilt...

Dress - 'Ruth' dress C/O Lindy Bop | Petticoat - made by me
Shoes - Shoezone? | Hat - Peacocks (I think), very old | Bracelets - ?


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Helen Mae Green for English Country Vintage, Tip Top Hair Design, and Steve Bond Images

Helen Mae Green for English Country Vintage, Tip Top Hair Design, and Steve Bond Images

Helen Mae Green for English Country Vintage, Tip Top Hair Design, and Steve Bond Images

Helen Mae Green for English Country Vintage, Tip Top Hair Design, and Steve Bond Images

Helen Mae Green for English Country Vintage, Tip Top Hair Design, and Steve Bond Images

Recently I modelled some dresses for a local company called English Country Vintage, run by the very talented Cherilyn Leeson. This is the first of the dresses I got to wear, it's a beautiful 1950s-style halterneck with a full skirt and a very flattering cut to the bust and bodice. 

Cherilyn makes all the clothes to order, so it's ideal for anyone petite, plus sized, or who otherwise finds it hard to get clothes that fit properly.

I'm also wearing the new Bésame Cosmetics Cherry Red lip glaze over their cerise and red Masterliner lip pencil (although I've forgotten whether I'm wearing the cerise or the red, sorry!), as well as Bésame's Apricot Rouge. All my Bésame products are from Tip Top Hair Design, and you can shop online through the link I've provided. I'm also lucky to be partnering with Tip Top for a blog post which will be published in the next couple of weeks.

My hair for these shots was done by Jac at Tip Top Hair Design and the photos are by Steve Bond. 

Lastly, here's a behind the scenes shot for those of you who like that sort of thing. We get one almost every time but for a change on this one, neither myself or Jac are pulling faces for the camera! I do love shooting with Jac and Steve because we always have a lot of fun. 

Helen Mae Green for English Country Vintage, Tip Top Hair Design, and Steve Bond Images


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Although I've been mostly absent from re-enactment for a long while due to other commitments and mixed feelings about the scene, I did manage to attend the Easter 1940s re-enactment at Crich Tramway museum. Crich is probably my favourite of all the events I've attended, and I'm usually fortunate to run into Tony Fletcher, who is a photographer regular readers of Lovebirds Vintage are probably familiar with as he has worked with me many times in the past. He took some wonderful photos at the museum and it was hard to restrict myself to just the pictures I'm sharing here... you can see the rest along with photos of other attendees in this album of Tony's. I hope you enjoy the pictures!

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

'HELEN' - 'CRICH TRAMWAY VILLAGE 1940's' - 5th-6th APRIL 2015

I'm wearing:
1940s dress and shoes both via Etsy
Faux fur coat from M&S by way of a since-closed local boutique
Belt and earring from Primark
Vintage powder compact belonged to my granddad's late first wife
Lipstick is Besame Tango Red


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